![]() ![]() But I was afraid he’d be disappointed if I was bad, so I pretended not to care about it.” As much as Dae-young and Da-jung’s actions have affected their children, so have Shi-ah and Shi-woo’s resulting conduct affected the couple. That’s why I wanted to achieve his dream for him. “That’s why I’m trying my best not to be one anymore.” Meanwhile, Shi-woo unknowingly confesses to Woo-young, “My dad quit playing basketball after I was born. ![]() “I know that I’m a burden,” Shi-ah says after Da-jung tells her to quit her job. ![]() Likewise, Shi-ah’s rush to become independent by working a part-time job and Shi-woo’s reluctance in joining the school basketball team both stem from a belief that their unplanned conception is the root cause of their parents’ unhappiness. As the title suggests, this should be all about him and the lessons he learns as he turns 18 again. He is, after all, the subject of the transformation. Now, stories in this vein will typically stop here, focusing mainly on Dae-young’s journey to becoming a better husband and father. As their new friend Woo-young, Dae-young makes it his mission to guide and protect them as best he can, something he wasn’t able to do as an overworked father. Though initially there to clinch a basketball scholarship, his priorities change as soon as he learns about the problems the twins have been hiding from him. He poses as Go Woo-young ( Lee Do-hyun) and enrolls in the same high school his children Shi-ah ( No Jeong-ee) and Shi-woo ( Ryeoun) go to. Believing that choosing his kids over college is what lead him to a life of misfortune, Dae-young uses his newfound youth to establish a fresh start. He tries his hand again at basketball, a dream that abruptly ended when he got girlfriend Ja Da-jung ( Kim Ha-neul) pregnant with twins during their senior year in high school. By placing more characters - and consequently more stories - in the spotlight, the latest series by Ha Byung-hoon (who also directed the similarly premised Confession Couple) takes advantage of its roomy TV format and provides just enough depth, flair, and heart to a familiar and otherwise conventional plot.ġ8 Again is the story of how Hong Dae-young ( Yoon Sang-hyun), a disgruntled middle-aged man on the brink of losing everything he has, turns into his teenage self one fateful night and ventures to give his life a do-over. ![]() While the mentioned stories have surely put their own spin to it, 18 Again, a remake of the 2009 film 17 Again, chooses to go beyond a singular struggle and instead dives deep into an entire family’s fraying relationship with each other. Its popularity speaks to the enduring effects of regret and our own yearnings for youth and second chances, but it also brings about a storytelling challenge: when employing this trope, how do you make it different this time around? Perhaps most memorably, this plot also appears in the 2014 film Miss Granny, which places its focus on the oft-forgotten grandmother and gives her another shot at the dream she was deprived of. Baek, whose spiteful protagonist is given a second chance at love, and Familar Wife, which has its lead go back in time in order to avoid a doomed marriage. In recent years, we’ve seen it in dramas like Mr. It’s a phenomenon that has popped up time and again in popular media: the protagonist, by some magical twist of fate, regresses to an earlier age, thus gaining the opportunity to change a clearly unhappy fate. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |